Waltz or Cancan? Tango or Foxtrot? Rock and roll or lambada? Find in each pair an indecent dance that would dishonor the gray hairs of the parents of the unlucky dancers. If you know the history of the last two centuries well, then do not hesitate to choose all six dances and add a couple of your own. For example, Matchish and Charleston. What was terrifying in these youth dances of other generations? Adults, without too much embarrassment, explained what exactly.

Double cancan

Cancan, thanks to the nightly variety shows from films, we do not associate with anything decent at all. After all, this is when a crowd of women throws up their legs, showing off their underwear, and violently waves their skirts to the beat of the music. In fact, the can-can was originally a pair dance and it originated from one of the quadrille figures. In this figure, the dancers tossed their legs - who is taller. Basically, of course, the gentlemen tried, the ladies were very shackled by the fear of showing their underwear. The movements of the young men began to move almost into a vertical split.

Many girls also wanted records, and soon dance costumes were invented that perfectly protected the pantaloons at any swing. The arsenal of young men was supplemented with jumps in a handstand, lower splits and even a wheel. The dance became absolutely independent, something like a competition was arranged for it. At the evenings, where couples excelled in acrobatics, it was full of onlookers who tried to catch the moment when the lady might still flash her underwear. It is precisely because girls arouse such desires and fantasies that many parents considered the dance obscene and forbade it to their daughters.

What we know as the French cancan - that very demonstration of underwear from the stage - appeared as an imitation, a reflection of the aspirations of many men. But it also requires excellent physical shape and stretching to perform it. Just lifting the hem of the skirt is not enough.

Tango and matchish

For some time they were promoted as Argentinean and Brazilian tango - music sellers in the style of matchish (mashishi) and teachers of this dance hoped to attract more buyers and students by comparing with a competing style. But in fact, tango and matchish are not even related to each other. Differences are noticeable even in music - the matchish dances to the march.

It’s generally difficult with matchish-mashish, rather strange interpretations of it spread outside of Brazil. But all of them were of a pronouncedly erotic nature, and in all of them there was a movement when the gentleman took a step with his foot between the legs of the lady, touching, as far as possible through several layers of clothing, her hips. In general, debauchery.

During the tango as the Europeans saw it, the lady had to hang on the gentleman, clinging to him with her whole body. The notion of tango as a radically obscene dance led to incidents when in the USA they tried to sue a teacher of a more technical, but quite authentic version of the Argentinean dance for corrupting minors, and when the teacher was shown the dance right in the courtroom, the prosecution decided that they were being shown some kind of fake tango .

Foxtrot

It is difficult to say why the syncopated dances, including the foxtrot, invented at the beginning of the twentieth century, did not please the public. Partners in them “hugged”, of course, but by modern standards - very modestly. Rather, adults were embarrassed by the speed and some sharpness of movements. Not a dance, but savage dances.

Waltz

Emperor Paul, who was very fond of ordering and forbidding, among other things, banned the waltz as an obscene dance. And he was not alone in his view. The waltz came into fashion at the end of the eighteenth century, but how it shocked priests and parents! Just think, the gentleman hugs the lady, and their legs seem to intertwine in motion! Even at the time of Natasha Rostova's first ball, many adults at the ball saw not an innocent girl in an eternally youthful waltz, but a girl dancing something dubious, perhaps with the aim of being hugged by a man.

When the cross-step waltz appeared in the early twentieth century, it incorporated some of the fashionable syncopated dance moves and even the tango. And again became half-decent.

Rock'n'roll

In the USSR, the dance was considered undesirable as fashionable in the West, in the USA - as the brainchild of the "black" Lindy Hop, in Europe - simply because the girls spinning this way and that with might and main sparkled with underwear (unless they put on breeches instead of a skirt, which was also at first outrageous). If the girls had to sew special skirts for cancan, then for rock and roll they had to pick up panties.

Lambada

During Perestroika, young Soviet citizens learned lambada, pair and solo (the solo actually did not exist, but if there is no pair, then the one who wants to dance cannot be stopped). Mature citizens were very worried whether such dances would lead to early pregnancies and prostitution. According to the canon, during the dance, the legs of the gentleman had to go along the legs of the lady, and the bellies of the partners should cling to each other, or at least be as close as if they were being pressed.

But only the most daring danced like that. The rest maintained a semi-pioneer distance. Although the lambada was also danced in other countries, the USSR, it seems, was in the lead in love for it.

Lambada is a fusion of forro and samba as movements and a combination of carimbo and merengue rhythms. Before learning how to dance lambada, let’s decipher the name of the style. The word “lambada” itself is translated from Portuguese as “contact”. This is due to the fact that the partners touch as much as possible in the dance in order to show all the sexuality and sensuality of this style.

Characteristics of the dance

So, how to dance a couple dance with a rhythm of 4 counts and a tempo of 70 beats per minute. Moreover, the first part of the beat involves slow movement, and the next two – fast. The partner begins to dance with the right foot, and the partner with the left. The peculiarity of the dance is that the woman dances only on her toes, and the man rests his entire foot on the floor.

Sexuality comes first?

Many people think that Lambada is a too vulgar dance and is filled only with sexuality. Actually this is not true. The original lambada represents fast and graceful movements with full dedication of oneself, showing all the love, passion within reason. And vulgar sexuality is present only in Hollywood films.

Forbidden Lambada - myth or reality?

Lambada dance has never been forbidden. In those days, there was indeed a ban on one type of dance because of its explicit movements. It was called maxixe. Lambada got into this mess completely by accident. There were people who loved to spread any news. Thus, without really knowing which movements should not be performed, they began to spread the news that the lambada was a forbidden dance.

History of origin

Lambada originated in Brazil, in the Amazon basin, during the time when the country was a Portuguese colony. There are no exact dates, but it was from about 1500 to 1883. The dance was based on movements from the tribal dances of the Karimbo Indians, so the original lambada was called Karimba and was a free dance of outpouring of feelings, where the woman tried with all her might to embrace and embrace the man with every bend of her body. The dance was accompanied by drums made from hollow tree trunks.

Later the accompaniment was heavily influenced by Caribbean music. One day, one of the radio stations in Brazil began to call all music karimba. Local residents understood that all popular compositions are karimba.

Melodies began to be enriched with various musical effects using modern musical instruments. And soon carimbo became known as lambada. Spreading throughout Brazil and borrowing certain features from other dances, over time the lambada acquired its own individual rhythm - the count of 4, which became the final change. Now lambada has become a completely separate type of dance, completely different from carimbo.

How to dance lambada?

How to learn to dance yourself? Experts advise dancing lambada barefoot, since the rhythm is very fast, and unnecessary tension in the dance is inappropriate. You need to completely relax your entire body. Partners take their starting position, snuggling as close to each other as possible. The man should hold the woman firmly with his right hand at the lower back and squeeze her right hand with his left hand. The partner places her left hand on her partner's left shoulder.

Choose a large training space so you don't get caught in anything while moving. Any dance consists of certain key elements. Lambada is not an exception. Therefore, we break the dance into elements and learn each one separately. Then we combine the movements in the correct sequence and learn the dance at a slow pace. Every time we try to speed it up.

So, how to dance the original lambada? You need to start moving smoothly, pumping from side to side, while moving your hips, drawing a figure eight in the air. Keep your knees slightly bent. You need to practice this movement first. Over time it will get better.

Add steps to the first movement. We take a step forward and begin to rotate our hips, throwing out our legs one by one. Add to the learned hand movements. We begin to lift them one by one, shaking our wrists. These are all the basic movements you need to know in lambada. It is necessary to practice the ease and speed of each element, first alone, and then with a partner.

Learning Lessons

There are special Lambada dance lessons. Therefore, you can learn not only from videos on the Internet, but also use the services of a trainer. Experts recommend learning lambada in a dance studio, since dance has its own characteristics that are difficult to learn on your own without explanation.

Song "Lambada"

There is also specific music for Lambada dance. The story goes that in the mid-80s, Olivier Lamothe, having visited a local festival in Brazil, decided to create a group of Latin Americans who would play the song “Lambada”. Subsequently, the composition was recognized as a copyright violation, and only the instrumental version remained.

Lambada and samba are two incendiary dances originating from Latin America.

Lambada is a dance that originated in Brazil. The lambada dance style is based on the carimbo dance movements of the Amazonian Indians, originally the dance was called "carimbo". The name "lambada" comes from the Portuguese language. Over time, the name "lambada" replaced the name "carimbo". On Brazilian radio stations, they just called popular dance melodies, “hit songs”. In general, lambada was known only in the north of Brazil. The situation changed around the end of the 80s, the melody was heard by the French producer Olivier Lamothe, who was eager to introduce the lambada to Europe. Lyrics were added to the labmada melody, and the song itself was performed by Kaoma. The result was an international hit, known all over the world, including in Russia and other republics of the USSR.

Samba is a dance that, like lambada, originated in Brazil. Nowadays, it is a kind of visiting card of this country, a folk dance. There are many dance schools in Brazil that teach samba. Samba is always present at all Brazilian carnivals.
The dance is quite complex, more complicated than lambada, an unprepared person can reproduce some movements, but he will not succeed in a full-fledged dance.
There are several varieties of samba dance, including ballroom dancing. The ballroom dance samba is characterized by frequent changes in the positions of partners, mobility of the hips and a general expressive character. Dance movements are characterized by the rapid shifting of body weight by bending and straightening the knees. The ballroom dance samba arose as a result of the mutual influence of two cultural traditions: African ritual dances of black slaves who arrived in Brazil from the Congo, Angola and Mozambique, and European dances (waltz, polka) introduced by the Portuguese. The samba was also influenced by the Brazilian shoté dance, which developed from the Scottish polka in its German version. Prior to contact with European culture, Africans did not have partner dances.

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Performance technique

It is advisable that the room is spacious enough, but you can also go outside. In principle, lambada can be danced on a small piece of land, because the main thing in it is the movement of the hips, which does not require a lot of space. But when there is a lot of space, you can dance not just in pairs, but in a large group, standing, for example, behind each other like a “locomotive”.

First, you need to stand up straight and describe an imaginary figure eight in the air with your hips, actively moving your buttocks. In this case, you need to transfer the body from one leg to the other. It will seem easy once a few practices give you confidence.

After this, you need to add one more dance element - steps. Repeating all the movements that you learned earlier, you need to move forward. The combination of movements should look harmonious and flexible. In the process, you should take turns throwing your legs to the sides.

It is difficult to learn how to immediately use the whole body in the dance, so after you can perform all the movements described above well, you can add your arms. They need to be lifted one by one and swayed fervently.

When you finally master the dance movements, you will need to work on your tempo. After all, a real lambada is danced very quickly.

Positions in pairs

The man wraps his right arm around the woman's waist, and she places her left hand on his shoulder. He extends his left hand to the side and a little forward, just so that it ends up between him and his partner. The man then takes the woman's right hand and holds his clasped hands at chest level. The dancers' feet touch slightly.

It is important to remember that in a couple, the man begins to dance all movements with his left foot, and his partner begins with the right. The partner finishes, on the contrary, with the right, the woman with the left.

In a couple, a man can put his entire foot on the floor at once, while it is advisable for a woman to dance on her toes. At the same time, she should keep her legs straighter so that the couple can easily make various turns.

What to dance in

Lambada is a cheerful, playful, passionate dance. This means you need to dress accordingly. For the top, a bright top or T-shirt is suitable. The skirt should not be long so that it is possible to demonstrate the beauty of the body and the sensuality of movements. It is better to choose shoes with low or medium heels - they will lengthen your legs and emphasize your curves. Or maybe barefoot. Hair should be loosened or tied into a high bun.

A man can wear a nice bright shirt and trousers. A T-shirt and shorts are suitable for a more friendly circle.

How to dance lambada

In official statistics, the birthplace of modern lambada is listed as Porto Seguro, a city on the shores of the Atlantic Ocean in the Brazilian state of Bahia. French producer Olivier Lamothe, who visited the local carnival, was brought there in the mid-80s of the last century. The melodies and rhythms impressed him so much that upon his return he created the Kaoma musical group from black Hispanics.
The enterprising Frenchman created the song "Lambada", in which he used the Bolivian melody and lyrics, for which he paid as a result of a lawsuit for copyright infringement. As a result, the text of the song had to be abandoned, and an instrumental version became widespread. Nevertheless, the triumphal procession of the lambada around the world has begun. Like a spark, her popularity flared up, and, having circled the whole world, the lambada returned to Brazil for a new story.

Lambada originated in Brazil while it was still a Portuguese colony. It was derived from Carimbo, which was a simple and sensual dance. The clothes in which this style is danced are women's skirts and long trousers for men. It is based on movement from side to side, and never from front to back.. Due to its movement and popularity, this sensual dance receives a new name, Lambada dance, which means "bounce" in Portuguese. Basically, there is a wave, as if we are floating, these are very fluid movements compared to other Latin countries.

What is Lambada dance?

Lambada is a couples dance. The idea is a triumph of youth, beauty and sensuality. Musical size - 4/4, tempo - 70 bars per minute. On the first beat of the measure a slow movement is made, on the next two beats - two fast ones.
It can be danced on the spot, or you can move around the dance floor so as not to disturb other dancers. Its movements have much in common with Dominican merengue, samba, forro, carimbo. It is based on constant rotational movements of the hips, reminiscent of a figure eight. Lambada figures can be danced in any order. Traditionally, women's costume consists of a fluffy skirt, above the knees, with numerous flounces.

Lambada video training:

Features of the lambada

The partner begins the movements; she takes a step with her right foot, and the partner takes a step with her left. Accordingly, the partner ends the figure with the left leg, and the partner, on the contrary, with the right. The peculiarity is the constant contact between the inside of the man's right leg and the inside of the woman's right leg. The partner can stand on the floor with a whole foot, and the partner moves exclusively on her toes and keeps her legs more straight than the partner in order to be able to make turns. Read more about the meaning of the word